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Cecilia Vicuña’s Poetry in Space

Hyperallergic, by Clara Apostolatos December 15, 2024

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Cecilia Vicuña On Embracing the Beauty of a Universal Order

Observer, by Elisa Carollo December 11, 2024

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8 Must-See Solo Gallery Shows in December

Galerie, by Paul Laster December 4, 2024

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Echoes of the Amazon

Family Style, by Jade Féraud November 25, 2024

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Cecilia Vicuña

The Great Women Artists Podcast, by Kathy Hessel November 12, 2024

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Inaugural Eric and Wendy Schmidt Environment and Art Prize: Julian Charrière and Cecilia Vicuña

E-Flux October 30, 2024

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Acts of Creation: On Art and Motherhood review – All of Life Starts Here

The Guardian, by Laura Cumming March 17, 2024

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Cecilia Vicuña’s Saborami: Expanded Facsimile Edition

BOMB Magazine, by Henry Broome March 15, 2024

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Social Fabrics: On the Rise of Textile and Woven Art

Art Basel, by Jerah Das March 10, 2024

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Politics, Protest and Potential: The Barbican Explores the Power of Textiles in Art

Wallpaper*, by Emily Steer March 5, 2024

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Unravel review — Every Room in This Show Will Amaze You

The Sunday Times, by Laura Freeman February 12, 2024

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NYC’s Metrograph Theater to Screen Rare Films by Cecilia Vicuña

Hyperallergic, by Maya Pontone October 30, 2023

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The 100 Greatest New York City Artworks, Ranked

ARTnews, by Alex Greenberger August 29, 2023

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Con Cón, Chile, 1966 – 2006

The Brooklyn Rail, by Cecilia Vicuña July 10, 2023

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CECILIA VICUÑA: DESCUBRIR EL CÓDIGO

La Tempestad, by Isis Yépez January 12, 2023

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Cecilia Vicuña’s ‘Brain Forest Quipu’ wins Best Art Installation in the 2023 Wallpaper* Design Awards

Wallpaper*, by Harriet Lloyd-Smith January 10, 2023

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Power 100: Cecilia Vicuña

ArtReview December 1, 2022

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The 2022 Venice Biennale Attracted More Than 800,000 Visitors, Setting an All-Time Attendance Record—Even With Travel Restrictions

Artnet News, by Caroline Goldstein November 28, 2022

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Frieze London 2022: Assemblage

Cool Hunting, by Afrodet Zuri October 18, 2022

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What Sold at Frieze London and Frieze Masters 2022

Artsy, by Veena McCoole October 17, 2022

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The 10 Best Booths at Frieze London and Frieze Masters 2022

Artsy, by Veena McCoole October 13, 2022

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Cecilia Vicuña’s Beautiful Turbine Hall Commission at Tate Modern Mourns the Destruction of the World’s Rainforests

ARTnews, by Maximiliano Duron October 11, 2022

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Mudlarking About: how Cecilia Vicuña worked with women scavenging in London's Thames to create her monumental Tate Modern installation

The Art Newspaper, by Ben Luke October 11, 2022

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‘It’s Time to Wake Up’: Artist Cecilia Vicuña on Her Monumental Soft Sculptures and Their Hard Message About Planetary Survival

Artnet News, by Hettie Judah October 11, 2022

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Cecilia Vicuña’s Desire Lines

The New York Times, by Carina del Valle Schorske August 25, 2022

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The Best Exhibitions in London in 2022

Condé Nast Traveller, by Connor Sturges August 23, 2022

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Cecilia Vicuña’s Charismatic Vulnerability

Hyperallergic, by Louis Bury August 10, 2022

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Who Is Cecilia Vicuña, and Why Is Her Art Now Receiving So Much Attention?

ARTnews, by Jacoba Urist June 29, 2022

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Chilean artist Cecilia Vicuña asks urgent cosmic questions at the Guggenheim

Financial Times, by Ariella Budick June 23, 2022

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‘It’s Just Like the Old Days’: Art Basel Opens With Eight-Figure Sales and a Wave of Global Buyers as the Market Looks to Dance ‘Til the Music Stops

Artnet News, by Naomi Rea June 14, 2022

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Be Sure to Check Out These Booths at Art Basel 2022

Widewalls June 13, 2022

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The Precarious Art of Cecilia Vicuña

The New York Times, by Holland Cotter June 9, 2022

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Cecilia Vicuña’s Guggenheim Exhibition Captures the Lost Art of the Quipu

W Magazine, by Salomé Gómez-Upegui May 27, 2022

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Cecilia Vicuña Had to Repaint One of Her Works in the Venice Biennale Because a Friend Lost It When Moving Into a New House

Artnet News, by Maya Asha McDonald May 11, 2022

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The Traveling Word: Cecilia Vicuña on AMAzone Palabrarmas

MoMA Magazine May 10, 2022

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Cecilia Vicuña Liberates the Body and the Land in Her New Guggenheim Retrospective

Artsy, by Ayanna Dozier June 1, 2022

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Video: Meet the Artists: Cecilia Vicuña

Art Basel Spring 2022

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Cecilia Vicuña Liberates the Body and the Land in Her New Guggenheim Retrospective

Artsy, by Ayanna Dozier June 1, 2022

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The First New York Retrospective of Chilean Artist Cecilia Vicuña

WNYC, by Matt Katz June 1, 2022

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Are We Entering a Post Anthropocentric Era?

BBC May 19, 2022

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Summer Art Preview

The New Yorker, by Andrea K. Scott May 6, 2022

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It's All in the Eyes for A Practice for Everyday Life's Identity for the 59th Venice Biennale

Creative Boom, by Katy Cowan May 3, 2022

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The Best Art in the 2022 Venice Biennale’s Main Show, From Fragrant Sculptures to Kinky Body Horror

ARTnews, by Alex Greenberger April 20, 2022

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Cecilia Vicuña invitée du Turbine Hall et du Guggenheim

Le Quotidien De L’Art, by Magali Lesauvage March 31, 2022

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Cecilia Vicuña a Londres: expondrá obra textil en la Tate Modern

La Tercera, by Pablo Retamal March 30, 2022

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Cecilia Vicuña Chosen for Tate Modern’s Turbine Hall Commission

Artforum March 30, 2022

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Cecilia Vicuña, Tireless Maker of Poignant Sculptures on the Precarity of Life, Selected for Tate Modern’s Turbine Hall Commission

ARTnews, by Maximilíano Durón March 30, 2022

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Cecilia Vicuña Will Take Over Tate Modern’s Turbine Hall This Autumn

The Art Newspaper, by Gareth Harris March 30, 2022

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Cecilia Vicuña Win Venice Biennale’s Golden Lion for Lifetime Achievement

ARTnews, by Alex Greenberger March 8, 2022

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Cecilia Vicuña Awarded Venice Biennale’s Golden Lion

Artforum March 8, 2022

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Katharina Fritsch and Cecilia Vicuña awarded Venice Biennale Golden Lions for Lifetime Achievement

The Art Newspaper, by Gareth Harris March 8, 2022

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Venice Biennale Names 213 Artists for ‘Transhistorical’ 2022 Edition

ARTnews, by Alex Greenberger February 2, 2022

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Films by Cecilia Vicuña, Mona Hatoum, Allora & Calzadilla, Theo Eshetu and Others to Be Screened Online by MOCA Toronto

Hyperallergic, by Sarah Rose Sharp November 9, 2021

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How women artists reclaimed the female body

Financial Times, by Jackie Wullschläger

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How Do You Stage a Global Art Show Now? In South Korea, Curators Press On.

The New York Times, by Andrew Russeth March 26, 2021

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In the Studio with Cecilia Vicuña

Galerie, by Ted Loos March 13, 2021

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Portfolio: Cecilia Vicuña

Artforum March 2021

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Chilean artist Cecilia Vicuna hosts first solo exhibition in Asia

The Korea Herald, by Park Yuna February 19, 2021

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Her climate change art is finally being recognised: Cecilia Vicuña and how the world finally caught up with her

SCMP, by Fionnuala McHugh February 18, 2021

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Seoul: 6 must-see shows

Art Basel, by Elliat Albrecht February 16, 2021

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What Goes Into Selecting One of the Art World's Most Coveted Prizes

Cultured, by Wallace Ludell October 17, 2020

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For over Five Decades, Cecilia Vicuña Has Made Prescient, Rebellious Art

Artsy, by Claire Mullen April 9, 2020

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Cecilia Vicuña

Artforum, by Monica Uszerowicz March 2020

For Cecilia Vicuña, ‘Consciousness Is the Art’

New York Times, by Ray Mark Rinaldi December 3, 2019

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The Most Important Artworks of the 2010s

ARTnews, by The Editors of ARTnews November 28, 2019

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The intimate and the vast: a conversation with Cecilia Vicuña and Teresita Fernández

Art Basel, by Laura van Straaten November 4, 2019

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‘An Awareness of Disappearance’: an Interview with Poet, Activist and Artist Cecilia Vicuña

Frieze, by Caoimhín Mac Giolla Léith October 29, 2019

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Homage to Vicuña

Burlington Contemporary, by Amy Tobin August 29, 2019

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Cecilia Vicuña: A Retrospective

MAP Magazine, by William Kherbek July 2019

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Cecilia Vicuña joins Lehmann Maupin

Financial Times February 2, 2018

Cecilia Vicuña: About to Happen

Cecilia Vicuña: About to Happen

BOMB, by Michael Wilson July 15, 2017

‘We can wake up if we wish’: Autumn Royal Interviews Cecilia Vicuña

Cordite, by Autumn Royal May 1, 2017

Cecilia Vicuña: About to Happen at Contemporary Arts Center New Orleans

Cecilia Vicuña: About to Happen at Contemporary Arts Center New Orleans

Daily Serving, by Jordan Amirkhani April 4, 2017

Cecilia Vicuña with Camila Marambio

Cecilia Vicuña with Camila Marambio

The Miami Rail, by Camila Marambio March 5, 2015

Art in Review: Cecilia Vicuña: Cloud-Net

The New York Times, by Holland Cotter March 21, 1999

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