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The New York Times: The Four Mysterious Guardians of the Artist Lee Bul
The New York Times: The Four Mysterious Guardians of the Artist Lee Bul

This fall the Metropolitan Museum of Art’s facade will feature strange, humanoid sculptures. Andrew Russeth speak with Lee Bul for The New York Times ahead of the debut of her comission Long Tail Halo.

Observer: Do Ho Suh and Brother Eul Ho Suh Explore Intergenerational Legacies in Korean Art
Observer: Do Ho Suh and Brother Eul Ho Suh Explore Intergenerational Legacies in Korean Art

Elisa Carollo interviews the brothers about their father and artist, Suh Se Ok, on the occassion of a special collaboration with LG.

ArtReview: The Interview: Do Ho Suh
ArtReview: The Interview: Do Ho Suh

Editor-in-Chief Mark Rappolt speaks with the artist about his solo exhibition Speculations at Art Sonje Center in Seoul.

Financial Times: Do Ho Suh Imagines a Bridge Between the US, UK and South Korea
Financial Times: Do Ho Suh Imagines a Bridge Between the US, UK and South Korea

Ahead of his solo exhibition at the Art Sonje Center in Seoul, Do Ho Suh speaks with Andy St. Louis about Speculations.

T: The New York Times Style Magazine: An Artist’s Humanoid Sand Sculptures, on View in New York
T: The New York Times Style Magazine: An Artist’s Humanoid Sand Sculptures, on View in New York

T Magazine recommends Oren Pinhassi's upcoming exhibition Losing Face at Lehmann Maupin New York in "The T List."

The New York Times: Twins Evolving in a World of Their Own
The New York Times: Twins Evolving in a World of Their Own

Their street murals, monumental sculptures, intricate drawings and vivid paintings pop up at Lehmann Maupin gallery on the eve of their Hirshhorn debut.

The New Yorker: Teresita Fernández's Shifting Sculptural Landscapes
The New Yorker: Teresita Fernández's Shifting Sculptural Landscapes

Critic Hilton Als covers Fernández's exhibition of new works at Lehmann Maupin New York for The New Yorker.

Financial Times: Harlem Detritus Turned Into Supermassive Sculptures
Financial Times: Harlem Detritus Turned Into Supermassive Sculptures

Critic Charlotte Jansen reviews Nari Ward's expansive retrospective exhibition Ground Break, on view at Pirelli HangarBicocca in Milan.

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