SHIRAZEH HOUSHIARY
Duet, 2019
Pigment and pencil, on black aquacryl on canvas and aluminium
47.24 x 47.24 inches
120 x 120 cm
Aura, 2019
Glass bricks
55.12 x 26.38 x 12.2 inches
140 x 67 x 31 cm
Photo by Dave Morgan
SHIRAZEH HOUSHIARY Installation view
Glasstress 2013: White Light / White Heat Berengo Centre for Contemporary Art, Venice Italy Photo by Francesco Allegretto
Esker, 2019
Feel, 2019
Pigment, pencil, and black aquacryl on canvas and aluminum
2 panels, each: 74.8 x 106.3 inches, 190 x 270 cm
Overall: 74.8 x 212.6 inches, 190 x 540 cm
Fission, 2019
Glide, 2019
Origin, 2019
125.98 x 14.76 x 14.76 inches
320 x 37.5 x 37.5 cm
Strange Loop, 2019
Painted bronze
51.97 x 33.46 x 13.78 inches
132 x 85 x 35 cm
The Order of Time, 2019
Powder-coated cast aluminum
28.51 x 67.09 inches
72.42 x 170.41 cm
Twilight, 2019
Cast glass and stainless steel
Installation view
Embrace, 2018-2019
25 x 50 x 157 inches
63 x 128 x 400 cm
Flare-up, 2018
74.8 x 106.3 inches
190 x 270 cm
Gegenschein, 2018
SHIRAZEH HOUSHIARYString Quintet, 2013 Cast stainless steel 196.85 x 39.37 x 23.62 inches 500 x 100 x 60 cm
Reverie, 2018
Styx, 2018
Pigment, pencil, and white aquacryl on canvas and aluminum
74.8 x 74.8 inches
190 x 190 cm
Tate, 1993
Shirazeh Houshiary and Pip Horne
East Window, 2008
Commission for St. Martin-in-the-Fields, London
Etched mouth blown clear glass and shot peened stainless steel frame
Curator: Modus Operandi