NARI WARD
Harlem Driving School, 2022
Scorched wood, used prayer candles, traffic cones, tire tread, copper mesh, copper wire, audio/video
145 x 324 x 168 inches (overall)
368.3 x 823 x 426.7 cm
Cinematographer: Steven Rose
Editor: Leonardo Madriz
Installation view
Lehmann Maupin New York, 2022
Photo by Daniel Kukla
Still Lives with Step Ladders, 2021
Three cement filled-in step ladders, over eight hundred liquor bottles, landscape barrier fabric, wooden columns, metal palms, rocks, milk crates, baby stroller, suitcase
114 x 101 x 360 inches (overall)
289.6 x 256.5 x 914.4 cm
Installation view, Lehmann Maupin New York, 2022
Still Lives with Step Ladders, 2021 (detail)
A Proclamation, 2022
Shoelaces
70 x 230 x 1 inches (overall)
177.8 x 584.2 x 2.54 cm
Peace Keeper, 1995/2020
Hearse, grease, mufflers, feathers, galvanized metal fence posts and barrier cloth
dimensions variable
SUPERLOCK Flag, 2022
Flagpole, American flag, security ink tags
34.5 x 56 x .25 inches (flag)
87.63 x 142.24 x .63 cm
73 x 1 inches (pole)
185 x 2.54 cm
I'LL FLY AWAY, 2021
36 x 116 x 2.5 inches
91.4 x 294.6 x 6.4 cm
A Brief History of Known, 2021
Copper sheets, copper nails, darkening patina, oak frame
144 x 360 x 2 inches
365.8 x 914.4 x 5.08 cm
12 x 30 ft
Courtesy the artist, GALLERIA CONTINUA, and Lehmann Maupin, New York, Hong Kong, Seoul and London
Breathing Bear Paw, 2019
Oak wood, copper sheet, copper nails, and darkening patina
120 x 120 inches
304.8 x 304.8 cm
Black Sweat, 2019
Shoelaces, shipping barrel
74 x 44 inches
188 x 111.8 cm
Breathing Room, 2019
Used American history textbooks, stencil ink, French country grandfather clock with African Fang figure, copper sheet with patina, copper nails, nesting table, narrow chair, lion’s foot oval table, dome surveillance mirror, area rug
We the People (Arabic version), 2018
60 x 224 inches
152.4 x 569 cm
Anchoring Escapement; Mahogany Ithaca, 2018
Grandfather clock case, copper sheet with patina, copper nails, and African statues
86 x 20 x 12 inches
218.4 x 50.8 x 30.5 cm
Exodus, 1993
Mixed media, tires, and fire hose
Installation view of We the People
New Museum, New York
February 13 – May 26, 2019
Photo by Maris Hutchinson / EPW Studio
Crusader, 2005
Plastic bags, metal, shopping cart, trophy elements, bitumen, chandelier, and plastic containers
110 x 51 x 52 inches
279.4 x 129.5 x 132.1 cm
Iron Heavens II, 1995
Oven pans, ironed sterilized cotton, and burnt wooden bats
122.4 x 96 x 20 inches
310.9 x 243.8 x 50.8 cm
Photo by Genevieve Hanson
Hunger Cradle, 1993
Yarn, rope, and found materials
Amazing Grace, 1993
Approximately 300 baby strollers and fires hoses, sound
Dimensions variable Installation view of We the People
Carpet Angel, 1992
Carpet, plastic bags and mats, soda bottles and caps, screws, and ropes
140 x 155 x 104 inches
355.6 x 393.7 x 264.2 cm Installation view of We the People
Savior, 1996
Shopping cart, plastic garbage bags, cloth, bottles, metal fence, earth, wheel, mirror, chair, and clocks
128 x 36 x 23 inches
325.1 x 91.4 x 58.4 cm
Glory, 2004
Oil barrel, fluorescent and ultraviolet tubes, computer parts, DVD, parrot audio, plexiglas, fan, camera casing elements, paint cans, cement, towels, and rubber roofing membrane
Dimensions variable Installation view of Sun Splashed
Institute of Contemporary Art Boston
Boston, MA
April 26 – September 4, 2017
T.P. Reign Bow, 2012
Wood, blue tarp, brass grommets, zippers, human hair, taxidermy fox
224 x 156 x 270 inches
569 x 396.2 x 685.8 cm
Worlds Otherwise Hidden
Kemper Museum of Contemporary Art, Kansas City, MO
May 17 – September 2, 2018
Courtesy Kemper Museum of Contemporary Art
Smart Tree, 2016
A High Line Commission, New York, NY
April 2016 – March 2017
Photo by Timothy Schenck. Courtesy Friends of the High Line
Breathing Panel: Oriented Right, 2015
Oak wood, copper sheet, copper nails, darkening patina
96 x 120 inches
243.8 x 304.8 cm
Spellbound, 2015
Salvaged store, piano, used keys, spanish moss, light, audio and video elements
55 x 30 x 62 inches
139.7 x 76.2 x 157.5 cm
Videographer: Steven Rose, Audio composer: Austin Nelson
Commissioned by SCAD Museum of Art
Homeland Sweet Homeland, 2012
Cloth, plastic, megaphones, razor wire, feathers, chains, and silver spoons
100 x 64 x 10 inches
254 x 162.6 x 25.4 cm
Made in collaboration with The Fabric Workshop and Museum, Philadelphia, PA
SoulSoil, 2011
Earth, ceramic toilet fixtures, shoes, broom and mop handles, acrylic and polyurethane
236 x 236 x 236 inches
599.4 x 599.4 x 599.4 cm
Installation view, HangarBicocca
Photo by Agostino Osio
Mango Tourist, 2011
Foam, battery canisters, Sprague Electric Company resistors and capacitors, mango pits
8 figures, each approximately 120 inches
Installation view, MASS MoCA
Palace LiquorsouL, 2010
Metal and neon sign, wood with artificial flowers, shoelaces and shoe tips
186 x 31 x 21 inches
472.4 x 78.7 x 53.3 cm
納利·華德Swing, 2010 鞋頭 汽車輪胎 鞋舌 繩 32 x 32 x 16 英寸(輪胎) 81.3 x 81.3 x 40.6 厘米 繩長不定 LM13968
納利·華德Diamond Gym: Action Network, 2008 裝置, 美國新奧爾良Prospect.1雙年展 美國新奧爾良Battle Ground浸信會 二零零八年十一月一日至二零零九年一月十八日 No
納利·華德Land, 2006 金屬 降落傘零件 防護布 車輪 木材 聲音 196.85 x 39.37 x 157.48 英寸 500 x 100 x 400 厘米 裝置, 美國紐曼當代藝術博物館 LM13272
納利·華德Airplane Tears, 2005 電視背面 面紙 尺寸不定 LM12882
歐文·沃姆Geography: Bottle Messenger, 2002 玻璃瓶 信 金屬架 金屬線 900 x 400 厘米 裝置, 盧森堡讓大公現代美術館