Aruna D’Souza shares a pithy and insightful review of Lehmann Maupin's current group exhibition Eyes of the Skin in The New York Times. 

Ariella Budick of Financial Times offers a thoughtful review of Vicuña's current solo retrospective.

Announced by ArtReveiw, Bul's work Willing To Be Vulnerable - Metalized Balloon V4 will be on view in the nomadic European Biennial in Kosovo.

Binion and his longtime friend, jazz musician Henry Threadgill, are hosting a concert in honor of their collaborative work. Pre-register for free tickets here. 

Holland Cotter of the New York Times reviews Cecilia Vicuña’s long-awaited retrospective at the Solomon R. Guggenheim Museum in New York.

ArtReview surveys the Berlin Biennale, curated by Lehmann Maupin artist Kader Attia.

Artsy discusses how Vicuña's work examines the detrimental effects of the patriarchy on women and the land.

Art Basel explores Cecilia Vicuña's work, which documents the connection between the earth, body, and human experience.