The images in "Nürnberg" are classic Teller - a mix of the personal and the panorama. Mädchen in der Schiessbude, a portrait of a young woman inside a carnival shooting gallery, screams of Hitler's hairline, while Vater und Sohn is a loving and frank family portrait. Each image is shot through with the emphasized white of a flash, which – more often than not – highlights the flaws that make each of his subjects so compelling.