We invite you to preview highlights of our 2024 Art Basel presentation in advance of the fair.
Having participated in Art Basel for more than 20 years, we look forward to returning with a presentation that celebrates our artists’ global institutional programming, from the 60th International Art Exhibition of La Biennale di Venezia and Pirelli HangarBicocca in Milan, to the National Galleries Scotland in Edinburgh and SITE Santa Fe in New Mexico.
Highlights include works by Teresita Fernández, Kim Yun Shin, Do Ho Suh, and Nari Ward—who each have major exhibitions on view in museums and biennials around the world. Together, the works on view traverse a wide range of media, probing the dimensionality and haptic experience of material. Concurrent to the fair in Europe, a group exhibition is on view at our seasonal gallery in Milan, Italy through June 21.
For more information about available works at Art Basel, please contact inquire@lehmannmaupin.com.
MANDY EL-SAYEGH
Magical Ways & Means, 2024
Oil and acrylic on linen with collaged and silkscreened elements and joss paper
Overall Dims: 55.12 x 71.65 x 1.77 inches
140 x 182 x 4.5 cm
55.12 x 33.07 x 1.77 inches (left panel)
140 x 84 x 4.5 cm
55.12 x 34.65 x 1.77 inches (right panel)
140 x 88 x 4.5 cm
TODD GRAY
Nike D.O. / Versailles, 2021
Three archival pigment prints in artist's frames, UV laminate
66.5 x 81.5 x 5 inches
168.9 x 207 x 12.7 cm
© Todd Gray
LARI PITTMAN
Nocturnes, #1, 2015
Cel-vinyl, lacquer spray over gessoed canvas, over wood panel
72.01 x 65.98 inches
182.9 x 167.6 cm
© Lari Pittman
LARI PITTMAN
Nocturne #6, 2015
Cel-vinyl, lacquer spray over gessoed canvas, over wood panel
24.125 x 18 inches
61.3 x 45.7 cm
© Lari Pittman
LARI PITTMAN
Nocturne #8, 2015
Cel-vinyl, lacquer spray over gessoed canvas, over wood panel
24.125 x 18 inches
61.3 x 45.7 cm
© Lari Pittman
As part of the fair’s Unlimited sector, Lehmann Maupin will present Liza Lou’s landmark installation work Security Fence (2005). Crafted entirely from glass beads on steel and razor wire, Lou’s to-scale installation reconstructs exterior prison security measures—a chain link fence with barbed wire on top. Calling notions of security and fragility into question, Lou’s elaborate handmade work introduces touch and contact into a space of isolation, lending care and dignity to an otherwise dehumanizing and industrial structure. In September, Lou will debut an all new body of work in New York, spanning the gallery’s Chelsea location. In October, the Brooklyn Museum will debut the permanent installation of Lou’s Trailer (1998–2000), which the institution recently acquired.
