KADER ATTIA
The Culture of Fear: An Invention of Evil, 2013
metal shelves, antique magazines, books, metal screws, and slide projection
dimensions variable
Photo: Sébastien Bozon
Courtesy the artist, Lehmann Maupin, New York and Hong Kong, and Nagel Draxler
KADER ATTIA
The Culture of Fear: An Invention of Evil, 2013
metal shelves, antique magazines, books, metal screws, and slide projection
dimensions variable
Photo: Sébastien Bozon
Courtesy the artist, Lehmann Maupin, New York and Hong Kong, and Nagel Draxler
KADER ATTIA
The Culture of Fear: An Invention of Evil, 2013
metal shelves, antique magazines, books, metal screws, and slide projection
dimensions variable
Photo: Sébastien Bozon
Courtesy the artist, Lehmann Maupin, New York and Hong Kong, and Nagel Draxler
KADER ATTIA
The Culture of Fear: An Invention of Evil, 2013
metal shelves, antique magazines, books, metal screws, and slide projection
dimensions variable
Photo: Sébastien Bozon
Courtesy the artist, Lehmann Maupin, New York and Hong Kong, and Nagel Draxler
TRACEY EMIN
The more of you the more I love you, 2016
neon and mirrored dibond installation
68.5 x 259.84 inches (neon)
174 x 660 cm
installation dimensions variable
Photo: Sébastien Bozon
© Tracey Emin. Courtesy the artist, Lehmann Maupin, New York and Hong Kong, White Cube and Xavier Hufkens
TRACEY EMIN
The more of you the more I love you, 2016
neon and mirrored dibond installation
68.5 x 259.84 inches (neon)
174 x 660 cm
installation dimensions variable
Photo: Sébastien Bozon
© Tracey Emin. Courtesy the artist, Lehmann Maupin, New York and Hong Kong, White Cube and Xavier Hufkens
TIM ROLLINS and K.O.S.
Darkwater VI (after W.E.B. Du Bois), 2016
furnace black pigment, gold acrylic, and archival varnish on first edition (1920) book pages mounted on museum panels
72 elements, each: 7 x 5 inches
17.8 x 12.7 cm
Photo: Sébastien Bozon
Courtesy Studio K.O.S., Lehmann Maupin, New York and Hong Kong, and Galerie Eva Presenhuber, Zurich
TIM ROLLINS and K.O.S.
Darkwater VI (after W.E.B. Du Bois), 2016
furnace black pigment, gold acrylic, and archival varnish on first edition (1920) book pages mounted on museum panels
72 elements, each: 7 x 5 inches
17.8 x 12.7 cm
Photo: Sébastien Bozon
Courtesy Studio K.O.S., Lehmann Maupin, New York and Hong Kong, and Galerie Eva Presenhuber, Zurich
TIM ROLLINS and K.O.S.
Darkwater VI (after W.E.B. Du Bois), 2016
furnace black pigment, gold acrylic, and archival varnish on first edition (1920) book pages mounted on museum panels
72 elements, each: 7 x 5 inches
17.8 x 12.7 cm
Photo: Sébastien Bozon
Courtesy Studio K.O.S., Lehmann Maupin, New York and Hong Kong, and Galerie Eva Presenhuber, Zurich
Art Basel, Booth L9
Installation view
June 16-19, 2016
Basel, Switzerland
Art Basel, Booth L9
Installation view
June 16-19, 2016
Basel, Switzerland
Art Basel, Booth L9
Installation view
June 16-19, 2016
Basel, Switzerland
Art Basel, Booth L9
Installation view
June 16-19, 2016
Basel, Switzerland
Art Basel, Booth L9
Installation view
June 16-19, 2016
Basel, Switzerland
Art Basel, Booth L9
Installation view
June 16-19, 2016
Basel, Switzerland
Art Basel, Booth L9
Installation view
June 16-19, 2016
Basel, Switzerland