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We invite you to preview highlights from our presentation in advance of the fair featuring works by:

Kader Attia, McArthur Binion, Heidi Bucher, Dominic Chambers, Mandy El-Sayegh, Tom Friedman, Gilbert & George, Nicholas Hlobo, Shirazeh Houshiary, Lee Bul, Liu Wei, Liza Lou, Arcmanoro Niles, Catherine Opie, OSGEMEOS, Helen Pashgian, Lari Pittman, Robin Rhode, David Salle, Do Ho Suh, Nari Ward, and Erwin Wurm

This year marks the 20th anniversary of our participation in Art Basel. We are honored to return to Basel for this marquee fair with a presentation that showcases our long-term commitment to our artists and the global perspectives that continue to define our program.

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Art Basel 2023

Do Ho Suh

Intercoms, London Home & Studio, New York Home, Studio & Corridor, Berlin Home, and Providence Home; Lighting Fixtures, New York Studio & Corridors, Seoul Home, Berlin Home, Providence Home; Fuse Boxes, London Studio, New York Home, Studio & Corridor, 2019

Do Ho Suh

Intercoms, London Home & Studio, New York Home, Studio & Corridor, Berlin Home, and Providence Home; Lighting Fixtures, New York Studio & Corridors, Seoul Home, Berlin Home, Providence Home; Fuse Boxes, London Studio, New York Home, Studio & Corridor, 2019

Polyester fabric

55.24 x 215.67 inches 

140.3 x 547.8 cm

Central to our presentation is this 2019 installation by Do Ho Suh. The work is composed of a selection of his acclaimed Specimens, precise fabric replicas of objects (doorknobs, outlets, light switches, etc.) from the artist’s previous homes and studios around the world. The particular placement of the Specimens in this installation—each framed in its own vitrine-like box and arranged in groups by function—heightens our awareness of the extraordinary nature of highly tactile but often overlooked components of our homes. Whether memorializing a light fixture, fuse box, or intercom, Suh’s simulacra of quotidian objects silently punctuates the everyday.

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Art Basel 2023

Liu Wei

Transparency, 2022

Liu Wei

Transparency, 2022

Oil on canvas

102.36 x 102.36 x 3 inches

260 x 260 x 7.62 cm

Liu Wei’s new large-scale painting Transparency (2022) continues his ongoing exploration of developing cities and urban landscapes. The composition’s precise grid-like structure and stark, overlapping geometrical shapes appear as though technologically crafted, evoking an artificial aesthetic that belies the analog nature of Liu Wei’s technique. Transparency favors a bold and complex color palette anchored in yellows and pinks; a sequence of vertical lines covers the surface of the canvas, largely obscuring the atmospheric swath of shapes below. On the right of the canvas, a large circle emerges prominently from the background, yet does not succeed in breaching the gridded surface of the picture plane. Reminiscent of the sun’s attempt to pierce the density of an urban jungle, the circle’s journey exemplifies the tension embedded in industrial transformation: as natural and urban landscapes increasingly integrate and compete, Liu Wei creates a scenario in which neither attains total domination. 

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Art Basel 2023

Heidi Bucher

Untitled iridescent soft sculpture, Zurich, 1974

Heidi Bucher

Untitled iridescent soft sculpture, Zurich, 1974

Mother-of-pearl pigments, foam material, net lace

57.09 x 51.18 x 7.87 inches

145 x 130 x 20 cm

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Art Basel 2023

Heidi Bucher

Untitled (little table with drawer), ca. 1978/1986

Heidi Bucher

Untitled (little table with drawer), ca. 1978/1986

Latex, glue, textile, wood, mother-of-pearl pigments

33.86 x 12.6 x 18.11 inches

86 x 32 x 46 cm

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Art Basel 2023

Heidi Bucher with Untitled iridescent soft sculpture, Zurich

Heidi Bucher with Untitled iridescent soft sculpture, Zurich

At the fair, we will present late artist Heidi Bucher’s Untitled iridescent soft sculpture, Zurich (1974), part of a series of soft sculptures created in Los Angeles during the mid-1970s. The sculpture, made from mother-of-pearl pigments, foam material, and net lace, is wearable and meant to cover the body completely, creating an architectural structure that consumes the human form. Bucher created a number of self-portraits while wearing Untitled iridescent soft sculpture, Zurich, where she appears as though wearing a set of soft yet geometric butterfly wings. Bucher’s wearable sculptures exemplify her decades-long examination of the relationship between the body, clothing, and architectural space. The work explores the physical boundaries between the body and its surroundings through a distinctly feminine lens, blurring the lines between clothing and skin, object and person, public and private. Bucher will open a solo exhibition on July 6 in the gallery’s Seoul location, on the heels of her major retrospective, Spaces are Shells, are Skins at Art Sonje Center. 

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Art Basel 2023

Dominic Chambers

Birthplace (Playful Cloud), 2023

Dominic Chambers

Birthplace (Playful Cloud), 2023

Oil on linen

86 x 121 inches

218.4 x 307.3 cm

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Art Basel 2023

Dominic Chambers

Untitled (Birthplace), 2023

Dominic Chambers

Untitled (Birthplace), 2023

Charcoal on paper

30.51 x 35.51 inches (artwork)

77.5 x 90.2 cm

34.625 x 40.5 x 1.75 inches (framed)

87.94 x 102.87 x 4.44 cm

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Art Basel 2023

McArthur Binion

Visual:Ear, 2023

McArthur Binion

Visual:Ear, 2023

Oil stick and paper on board

72 x 48 inches

182.9 x 121.9 cm

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Art Basel 2023

Lari Pittman

Grand Tour, 2011

Lari Pittman

Grand Tour, 2011

Acrylic, cel-vinyl, and aerosol lacquer on gessoed canvas over wood panel

102 x 88 inches

259.1 x 223.5 cm

© Lari Pittman

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Art Basel 2023

Lari Pittman

Untitled #1, 2013

Lari Pittman

Untitled #1, 2013

Cel-vinyl, spray enamel on prepared panel

53.94 x 48.03 inches

137 x 122 cm

© Lari Pittman

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Art Basel 2023

Lee Bul

Perdu CXLVI, 2022

Lee Bul

Perdu CXLVI, 2022

Mother of pearl, acrylic paint on wooden base panel, stainless steel frame

62.99 x 43.31 x 2.36 inches

160 x 110 x 6 cm

64.17 x 44.49 x 2.56 inches (framed)

163 x 113 x 6.5 cm

© Lee Bul. Photo by Jeon Byung-cheol

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Art Basel 2023

Lee Bul

Perdu XXV, 2019

Lee Bul

Perdu XXV, 2019

Mother of pearl, acrylic paint on wooden base panel, steel frame

Triptych, 64.29 x 131.22 x 2.6 inches (framed) 

163.3 x 333.3 x 6.6 cm

© Lee Bul

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Lee Bul

Perdu XXV, 2019

Lee Bul

Perdu XXV, 2019

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Art Basel 2023

Mandy El-Sayegh

Net-Grid (circulation), 2023

Mandy El-Sayegh

Net-Grid (circulation), 2023

Oil and acrylic on linen with collaged and silkscreened elements

92.52 x 88.58 inches

235 x 225 cm

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Art Basel 2023

Liza Lou

Breathing Lesson, 2023

Liza Lou

Breathing Lesson, 2023

Acrylic on rigid mounting canvas, nails, beaded cloths

70.5 x 71.5 x 2 inches

179.1 x 181.6 x 5.1 cm

BANNER | LL LM35763 Breathing Lesson

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Art Basel 2023

Tom Friedman

Untitled, 2020

Tom Friedman

Untitled, 2020

Chrome plated stainless steel

58 x 37 x 19 inches

147.3 x 94 x 48.3 cm

© Tom Friedman

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Art Basel 2023

OSGEMEOS

Pupila / Pupil, 2021

OSGEMEOS

Pupila / Pupil, 2021

Mixed media on MDF board

64.5 x 80.32 inches

164 x 204 cm

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Art Basel 2023

Shirazeh Houshiary

Styx, 2018

Shirazeh Houshiary

Styx, 2018

Pigment, pencil, and white aquacryl on canvas and aluminum

74.8 x 74.8 inches

190 x 190 cm

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Art Basel 2023

Erwin Wurm

Soft (Flat Sculptures), 2021

Erwin Wurm

Soft (Flat Sculptures), 2021

Oil and acrylic on canvas

59.06 x 47.24 x 1.77 inches

150 x 120 x 4.5 cm

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Art Basel 2023

Helen Pashgian

Untitled, 2022

Helen Pashgian

Untitled, 2022

Cast urethane with artist-made acrylic pedestal

30.63 x 30.63 inches (lens diameter)

77.8 x 77.8 cm

48.5 x 4 x 4 inches (pedestal)

123.2 x 10.2 x 10.2 cm

79 x 30.63 x 4 inches (overall)

200.7 x 77.8 x 10.2 cm

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Art Basel 2023

David Salle

Ice Flow II, 2001

David Salle

Ice Flow II, 2001

Oil and acrylic on canvas and linen

72 x 108 inches

182.9 x 274.3 cm

DS Banner Detail

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Art Basel 2023

Robin Rhode

Dianthus, 2022

Robin Rhode

Dianthus, 2022

C-print

2 panels, each: 

30.55 x 40.39 x 1.5 inches (framed)

77.6 x 102.6 x 3.81 cm

30.55 x 82.76 x 1.5 inches (overall, horizontal)

77.6 x 210.2 x 3.81 cm

63.07 x 40.39 x 1.5 inches (overall, vertical)

160.2 x 102.6 x 3.81 cm

Edition of 5

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Art Basel 2023

Gilbert & George

TRELLIS, 2022

Gilbert & George

TRELLIS, 2022

Mixed media

59.45 x 74.8 inches

151 x 190 cm

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Art Basel 2023

Catherine Opie

Untitled #11 (From Your Shore to My Shore), 2009

Catherine Opie

Untitled #11 (From Your Shore to My Shore), 2009

Pigment print

43 x 32.25 inches (print)

109.2 x 81.9 cm

44 x 33.25 x 2 inches (framed) 

111.76 x 84.45 x 5.08 cm

Edition of 5

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Art Basel 2023

Catherine Opie

Untitled #9 (From Your Shore to My Shore), 2009

Catherine Opie

Untitled #9 (From Your Shore to My Shore), 2009

Pigment print

43 x 32.25 inches (print)

109.2 x 81.9 cm

44 x 33.25 x 2 inches (framed) 

111.76 x 84.45 x 5.08 cm

Edition of 5

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